​November 16, 2019-1207th-The Infinite Value of Heo Kyeong-young’s Photo and the Era of “Su-Hwa-Gi-Jae”

“Hwa-Su-Mi-Je” (time-dominated era), “Su-Hwa-Gi-Jae” (space-dominated era), the significance of Heo Kyeong-young’s photo, the importance of spiritual preparation, and educational reform.

Character Profiles

  • Heo Kyeong-yeong | Speaker | Delivers a lecture on various topics including spirituality, politics, and social issues.
  • Kim Bo-i | Grandson | One of two grandsons who present flowers to Heo Kyeong-yeong.
  • Lee Jae-un | Grandson | One of two grandsons who present flowers to Heo Kyeong-yeong.
  • Mun Hye-gyeong | Flower Presenter | Presents flowers to Heo Kyeong-yeong.
  • Hwang Seung-min | Audience Member | A young man from the audience who participates in a demonstration of Heo Kyeong-yeong’s energy.

Scene-by-Scene Summary

#1 (00:00:00)

  • Flower Presentation and Introduction
    • Four individuals are called to present flower bouquets to Heo Kyeong-yeong .
    • Kim Bo-i and Lee Jae-un, two grandsons, are the first to present flowers .
    • Mun Hye-gyeong is then called to present flowers .
    • Heo Kyeong-yeong comments on the beauty and scent of the flowers, noting a rose inside a larger flower .
    • He asks the grandsons their ages, discovering they are both ten years old but one is older, making them brothers .
    • Heo Kyeong-yeong then takes a photo with the flower presenters .
    • He clarifies that the two boys are cousins, not brothers, as one is the son of a younger son and the other of an older son .

#2 (00:04:00)

  • The Importance of Concentration and “Mona Lisa” Analogy
    • Heo Kyeong-yeong recounts a phone call from a student struggling with concentration in studies .
    • He advises that lack of concentration leads to a miserable life, emphasizing the importance of focus in all endeavors, including business .
    • He compares the value of his photograph to the Mona Lisa painting, stating that his photo holds infinite value .
    • He asserts that possessing his photo makes one infinitely wealthy .

#3 (00:06:00)

  • Feng Shui and the Concept of Auspicious Locations
    • Heo Kyeong-yeong discusses the complexities of choosing an auspicious burial site (Myeongdang) .
    • He explains that even with a Myeongdang, the direction of the coffin can determine wealth, power, fame, or longevity .
    • He criticizes geomancers (Jigwan) who might intentionally misdirect a family’s fortune if disrespected or underpaid .
    • He emphasizes that personal conduct (Haengsil) is more crucial than Feng Shui, as good deeds lead to good fortune regardless of location .
    • He extends this concept to everyday life, stating that even smelling flowers from someone else’s garden without permission is a form of “theft” for enlightened beings .
    • He concludes that one’s actions are the ultimate Feng Shui .

#4 (00:13:00)

  • The Era of “Hwasumije” and “Suhwagije”
    • Heo Kyeong-yeong introduces the concepts of “Hwasumije” and “Suhwagije” from the I Ching .
    • He defines “Hwasumije” as the era of time, where people lived without significant spatial utilization, like before airplanes or mobile phones .
    • He defines “Suhwagije” as the era of space, where humans dominate space, which is why he has appeared .
    • He explains that if great saints had come in the “Suhwagije” era, their images and teachings would have been widely disseminated through media .
    • He connects the “Suhwagije” era to the internet age and the “Haein” era, where a divine being (Shin-in) uses this spatial dominance .
    • He references Matthew 24:27, stating that the Son of Man’s coming will be like lightning flashing from east to west, visible to all simultaneously, which aligns with the “Suhwagije” era’s global communication .
    • He criticizes those who only look for divine beings in the past “Suhwagije” era, failing to recognize the divine in the current “Hwasumije” era .

#5 (00:18:00)

  • Parable of the **ten virgins and preparation** for the Divine
    • Heo Kyeong-yeong references Matthew 13, the parable of the sower, to illustrate how some understand divine teachings while others do not .
    • He then explains the parable of the ten virgins (Matthew 25:1-13), where virgins waiting for the bridegroom run out of oil for their lamps .
    • He emphasizes that only those who prepared extra oil were able to meet the bridegroom, while those who went to buy oil found the door shut .
    • He interprets the “oil” as preparation and understanding of the divine in the “Hwasumije” (space) era, contrasting it with those who only waited in the “Suhwagije” (time) era .
    • He states that those present at his lecture have prepared their “oil lamps” .
    • He warns that those who mock or dismiss him are like those whose lamps have run out of oil .
    • He concludes that parables are necessary for people to understand divine truths .

#6 (00:22:00)

  • Revelation and the Heavenly Palace (Baekgung)
    • Heo Kyeong-yeong references Revelation 21, describing a new heaven and earth, and the New Jerusalem descending from heaven .
    • He interprets this as the “Baekgung” (Heavenly Palace), a place where all tears are wiped away, and there is no death, sorrow, or pain .
    • He lists eight types of people who will not enter this new realm: the fearful, unbelieving, abominable, murderers, sexually immoral, sorcerers, idolaters, and all liars .
    • He compares the current world to a dilapidated hut and the “Baekgung” to a grand new house being built .
    • He asserts that possessing his photograph connects one to the “Baekgung,” providing comfort and courage in the face of earthly suffering .
    • He describes “Haneulgung” (Heavenly Palace on Earth) as a training ground for experiencing the “Baekgung” .
    • He encourages people to visit “Haneulgung” to gain knowledge and prepare for the “Baekgung” .
    • He suggests that by building houses and acquiring land in “Haneulgung,” people can experience the “Baekgung” on Earth and transition to it upon death .
    • He believes the authors of Revelation had an inkling of his coming .
    • He mentions that “Haneulgung” will accommodate a large number of people, including many single individuals, providing a peaceful environment free from violence and war .
    • He refers to ancient prophecies, like those of Nam Sa-go, that foretold the coming of a divine being to Korea .
    • He emphasizes that all religions ultimately point to him, and he loves all religious people .
    • He reiterates the importance of preparing “oil” (wisdom and understanding of him) to enter the “Baekgung” .

#7 (00:33:00)

  • The Value of Heo Kyeong-yeong’s Photo and the Closed Door
    • Heo Kyeong-yeong states that his photograph represents the “oil lamp” for the “Suhwagije” era .
    • He warns that when he appears, those without his photo (the “oil”) will be unable to recognize him or enter the “wedding feast” .
    • He references Matthew 25:12, where the bridegroom tells those who did not prepare oil, “I do not know you” .
    • He emphasizes the importance of being “awake” and prepared, as the time of his coming is unknown .
    • He explains that his energy can instantly permeate the entire universe, a feat impossible even for light or sound .
    • He demonstrates this by having an audience member try to resist his mental command, showing how his energy can instantly remove physical strength .
    • He concludes that his photograph holds infinite value because it connects one to this universal energy .
    • He warns against seeking his photo only when he appears, as the “door will be shut” .
    • He criticizes those who are content with their “dilapidated huts” (earthly lives) and fail to prepare for the divine .
    • He explains that he reveals truths in an “ambiguous” way to prevent “thieves” (those with bad intentions) from flocking to him and blocking the path for the truly prepared .
    • He uses the analogy of showing only the horns of a cow over a fence to attract those who understand, rather than butchers .
    • He reiterates that his photo’s infinite value will be understood upon one’s death .

#8 (00:40:00)

  • Creation of the Universe and the Power of Education
    • Heo Kyeong-yeong explains that he created the universe in two stages: first the intangible (space), then the tangible (matter) .
    • He describes the complexity of the invisible “space world” filled with various energies and waves .
    • He references the biblical creation story, noting the sequence of light and darkness, water and firmament, plants, day and night, and living creatures .
    • He points out inconsistencies in the biblical order, suggesting that creation did not follow a linear time-based sequence but rather a “Hwasumije” (space-dominating) approach .
    • He demonstrates his energy’s ability to instantly affect the entire universe, regardless of distance .
    • He introduces a young audience member, Hwang Seung-min, who has seen his YouTube videos many times, signifying his “prepared oil lamp” .
    • He explains that his lectures are meant for such prepared individuals .
    • He reiterates that his energy can instantly permeate all galaxies and stars in the universe .
    • He demonstrates again that only his name can activate this universal energy, while names like Jesus, Buddha, or other religious figures do not .
    • He emphasizes that his name is the “most powerful mantra” that can eliminate all suffering .
    • He ranks the most powerful forces in the world: his spiritual power (Yeong-ryeok), education, military, economy, territory, and population .
    • He highlights the power of education, citing the British Empire’s global dominance through institutions like Oxford and Harvard’s current global influence .
    • He proposes creating a “Megaversity” in Korea, a massive university for a million students, to make Korea a global educational powerhouse and boost its economy .
    • He advocates for educational reforms, including abolishing the college entrance exam (Suneung) and allowing students to specialize in one subject from middle school .
    • He believes this will make learning enjoyable and effective, eliminating the need for private tutoring .
    • He also proposes a voluntary military service system with good pay, attracting experienced and patriotic individuals .

#9 (01:03:00)

  • The Shift in Gender Roles and the Divine’s Coming
    • Heo Kyeong-yeong corrects his earlier statement on the whiteboard, clarifying that “Hwasumije” (fire over water) is the past era where women were subservient to men, and “Suhwagije” (water over fire) is the current era where women control men .
    • He explains that in the “Suhwagije” era, women enjoy modern conveniences, while men face more hardship .
    • He reiterates that the “Suhwagije” era is the era of spatial dominance, which is why he has come, symbolizing his arrival “on clouds” (mastering space) .
    • He predicts that religious organizations will be astonished when he reveals his true identity after unifying the world .
    • He concludes by emphasizing the importance of “wisdom” (recognizing him) as the “oil” to meet the divine “bridegroom” .
    • He promises to bestow “angel energy,” wealth, marriage, property sales, health, and good fortune upon the audience .
    • He states that his purpose is to correct the flawed financial system and create a society free from monetary worries .
    • He encourages everyone to experience the “Heavenly Palace on Earth” by recognizing him .
    • He shares that his early studies of the Four Books and Five Classics were driven by a mission to save humanity, not personal ambition .
    • He emphasizes his inclusive approach to all religions, as they help people recognize him .
    • He concludes by urging the audience to prepare their “oil” (wisdom) .